Putting people in jail, putting people in books: author characters in Agatha Christie and Dashiell Hammett

- Gulddal, Jesper

Heads and tails: Apocope, decollation and detective fiction's inherent self-alterity

- Rolls, Alistair

Agatha Christie's 'Dead Man's Folly': stagnation, negation and adaptation

- Rolls, Alistair

Clueless: genre, realism and contingency in Ed McBain's early 87th Precinct novels

- Gulddal, Jesper

Detective fiction and the critical-creative nexus

- Gulddal, Jesper, Rolls, Alistair

Mavis Seidlitz: partner in crime and metonym for crime fiction partnership

- Rolls, Alistair

Sam Spade: anatomy of a private investigator

- Gulddal, Jesper

Serializing Sullivan: Vian/Sullivan, the Série noire and the effet de collection

- Sitbon, Clara, Vuaille-Barcan, Marie-Laure, Rolls, Alistair

An uncertain space: (dis-)locating the Frenchness of French and Australian detective fiction

- Rolls, Alistair

Interrogating the idea of national detective fictions, or French detective fiction: what other type is there?

- Rolls, Alistair

Re-assessing Arthur W. Upfield's Napoleon Bonaparte detective fiction

- Ramsland, John, Ramsland, Marie Ellen

Reading and writing the primal crime scene: Fred Vargas's Dans les bois eternels

- Rolls, Alistair

Retrieving the exiled reference: Fred Vargas's fetishization of ancient legend

- Rolls, Alistair

The crime boom

- Macallan, Helen, Goodall, Jane